How Enclave Is Made

Brand Guide

Everything required to represent Enclave well — what the firm is, how it sounds, and how its marks are used. Read this before producing anything that carries the name.

  1. 01 Foundation
  2. 02 The voice
  3. 03 The mark
  4. 04 Logo & usage
  5. 05 Downloads
  6. 06 Colour
  7. 07 Typography
  8. 08 Pattern & imagery
  9. 09 Enclave Reserve
01 — Foundation

Who we are

Enclave Private Wealth is an independent Canadian investment firm. We serve a deliberately small number of families and entrepreneurs, and we keep it that way by design — relationships built carefully, over long periods, with the same people.

We are registered with the Ontario Securities Commission as a Portfolio Manager and Exempt Market Dealer. We are not a bank, and we are affiliated with no fund manufacturer. We answer to the clients we serve, and to no one else.

We manage our clients' capital as we manage our own, because we hold the same positions ourselves. That is not a marketing point. It is how the firm is built.

The name

An enclave is a protected place, set apart. The word is a commitment, not an image: capital stewarded with discipline, kept clear of the noise, held to the standard we apply to our own.

Private wealth, personally managed.
What we are
  • An independent firm, owned by the people who run it
  • A Portfolio Manager and Exempt Market Dealer
  • A co-investment practice — we hold what our clients hold
  • Small by design, and intent on staying that way
What we are not
  • A fintech. We do not democratize, disrupt, or simplify.
  • A retail brokerage. We do not push product.
  • A bank division. No approved list, no parent institution.
  • Urgent. Scarcity tactics are beneath us.
02 — The Voice

How we sound

Our clients have been pitched to for decades; they detect a sales script within a sentence. We speak with the quiet authority of a firm that does not need to raise its voice. How we sound is not a style we adopt — it follows from how the firm works.

Measured

We don't rush — in writing or in counsel. A sentence earns its place the way a decision does: only when it's needed.

Protective

We write as a firm that guards its clients before it grows, because that is the order we keep — not a posture put on for the page.

Peer-to-peer

We speak to equals, because our clients are. We assume intelligence rather than explain down to it.

Inviting

We invite rather than sell, because the firm is built that way — relationships begin by introduction, not pursuit.

Restraint

We don't deal in urgency, superlatives, or promises about returns — that is the register our clients have spent decades tuning out. Plain words do most of the work; where a precise term is needed, we explain it rather than hide behind it. The measure we hold to is a quiet one: would a private banker at a top-tier institution say it this way?

The words we reach for

We sayNot
Capital stewardshipMoney management
Co-investment alignmentWe eat our own cooking
Invitation to connectBook a call / sign up
Selective client relationshipsLimited spots available
03 — The Mark

The Carved Trilithon

Two standing stones and a lintel. The uprights are growth and preservation — the two ends of the barbell we build portfolios on. The lintel is strategy, spanning them. Stand the barbell on its end and it becomes a gate: the way into a protected place, which is what an enclave is.

Each of the three stones is dressed to a taper. The lintel narrows onto the posts; the posts widen into the ground.

Two stones and a lintel: a gate into a protected place.
the gap doorway
  • 3 gaps — lintel depth
  • 16½ gaps — post height
  • 5 gaps — doorway width
The gap is the mark

The space between the lintel and the posts is what makes this three stones rather than a table or the letter π. No printer, embroiderer or engraver may close it — if a process can't hold the gap at the size asked, the mark goes larger or doesn't go at all.

One drawing

The mark is never redrawn, stretched, outlined, rotated or rearranged. The same drawing is used at every size, down to the favicon — there is no simplified small version. Always work from the supplied SVG.

05 — Downloads

Logo files

Enclave logo package. Mark, horizontal and stacked logos, badges, app icons, favicons and patterns — master SVG, transparent high-resolution PNG, and the one-page brand system. Lettering is outlined; no fonts required.

Horizontal logo, primary
Horizontal Primary — gold mark, ink word
Horizontal logo, one-colour ink
Horizontal One colour — ink
The mark, gold
Mark Lintel Gold
Stacked logo
Stacked Primary — gold mark, ink word
Stacked logo with tagline
Stacked + tagline Primary — gold mark, ink word
Badge, gold on paper
Badge Lintel Gold on paper
Since 2006 badge, gold
Badge — Since 2006 Lintel Gold, transparent
App icon: gold mark on paper
App icon Mark on paper
Stone circle pattern tile, limestone on paper
Stone circle pattern Limestone on paper

SVG is the master format — sharp at any size, correct for web and print. Use PNG only where SVG can't be placed, such as email signatures or some slide software. Never use JPG for the logo. The package also holds one-colour white and reversed files; Enclave materials don't use them.

06 — Colour

The palette

Paper is the ground, ink is the type, and gold belongs to the mark. Black is reserved for Enclave Reserve — the core brand never sits on it.

Brand colours
Lintel Gold
Hex
#CC9E4B
Var
--gold
The mark. Reserved for the logo — never a background, never body text.
Ink
Hex
#0A0B0D
Var
--ink
The wordmark and text. As a ground, Reserve's alone.
Paper
Hex
#F7F5F0
Var
--paper
Enclave's ground, in print and on screen.
Limestone
Hex
#8C877E
Var
--limestone
Patterns only, at low opacity.
On screen — supporting tones
Paper Raised
Hex
#FDFCFA
Var
--paper-raised
Cards, raised surfaces.
Ink Soft
Hex
#51544E
Var
--ink-soft
Secondary text.
Bronze Ink
Hex
#6F562C
Var
--bronze-ink
Text accents and labels. Gold is too light to read as text on paper.
Hairline
RGBA
10 11 13 / .14
Var
--hairline
Dividers, borders.
07 — Typography

One typeface, one lettering

Newsreader sets everything we write — headlines, body, and labels alike. A single serif, used across its weights and its italic, gives the brand the unhurried, editorial register of a printed letter rather than a brochure. Italic carries emphasis; uppercase carries labels.

Aa Aa

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890 & ., — “ ” ‘ ’

Newsreader — variable, 200–800, roman & italic. Old-style numerals by default.

The ENCLAVE lettering, with its raised A crossbar
The logo lettering

The word ENCLAVE is Cinzel 600, widely tracked, with one custom letter: the A's crossbar is raised to the height of the E's middle arm, so a hidden lintel runs through the word. That A appears wherever the lettering does — wordmark, tagline and badge. The lettering is outlined in every logo file; never retype it, and never set Cinzel for running text.

The scale

Display
.display
Personally managed
Heading 1
.t1
Who we are
Heading 2
.t2
The whole picture
Heading 3
.t3
Co-investment alignment
Lede
.lede
An independent Canadian investment firm.
Body
body
We manage our clients' capital as we manage our own, because we hold the same positions ourselves.
Label
.label
Independent Private Wealth
08 — Pattern & Imagery

Stone, and restraint

The pattern comes from the mark. It is always Limestone on paper, always quiet, and never the subject of the page.

Stone circle

A ring of small stones with the mark at its centre — the circle is the wall; the mark is what it protects. Limestone at 8–12% on paper, always cropped by an edge, with copy kept off its centre.

Photography is sparse — at most one photographic band per page. The house grade lives in the system, not the files: any image inherits a muted, warm treatment, so photographs read as printed plates rather than stock.

Avoid the obvious tropes — handshakes, coins, charts, skylines of glass towers. Reach instead for restraint: landscape, architecture, material, light. Portraits sit in a 4:5 frame, cropped to the upper body, with the same muted grade. Photograph real objects — never mock-ups showing an older mark or another maker's logo.

House grade

Photographic: saturate(0.62) sepia(0.08) contrast(0.97). The paper grain — a fine fixed noise — sits over the whole page so the ground reads as stock, not a hex value.

09 — Enclave Reserve

The family office, on ink

Enclave Reserve is Enclave's family office. It uses the Carved Trilithon unchanged, adds RESERVE after a fine gold rule, and lives where Enclave doesn't: on ink.

Gold on black, black stock, gold foil, dark screens. The one-colour ink version is only for documents that must print on white — forms and regulatory filings.

Enclave Reserve horizontal logo: gold mark, ENCLAVE, a gold rule, and RESERVE in gold
The Enclave Reserve seal: ENCLAVE over the top, RESERVE across the bottom, the mark at the centre
  • Always “Enclave Reserve” — never “Reserve by Enclave”, and never “Reserve” alone in a logo.
  • The seal is for ceremony — invitations, welcome packages, the annual family review, foil, emboss and wax. Never in a website header or email signature, and never under about 20mm across.
  • “Family Office” is added only where the reader won't already know what Reserve is.
  • The app icon and favicon are Enclave's — Reserve doesn't have its own.
  • Foil: ask the printer for a warm gold, not a yellow one.

Enclave Reserve packages. Horizontal and stacked logos, with and without “Family Office”, and the one-page Reserve guide. The seal comes separately, in SVG, PDF, EPS and PNG across four colourways, for printers and die makers.